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| | #1 (permalink) |
| Portal Developer Join Date: Apr 2004 Location: The Netherlands Age: 36
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Country: | Setting your windows desktop to a higher refreshrate makes watching tv/video/dvd smoother. You can check this by playing some media and pressing ! note the jitter value This was 21 when i used 50Hertz as refreshrate This is now 3 with windows desktop set to 100Hertz Offcourse if your monitor does not support 100Hertz, then you can just choose the highest frequency supported (for example 70,75,80Hertz) Frodo |
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| | #2 (permalink) | |
| Portal User Join Date: Aug 2005
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| hi, Quote:
But as the video renderer always syncs itself to the audio renderer, you can even get judder in this case. Here comes ReClock in (reclock.free.fr). Reclock replaces the audio renderer and syncs the audio to the video. This works even with SP/DIF passthrough, as Reclock duplicates or drops audio frames if necessary. This is not a problem, if you have set powerstrip up correctly. I have a front projector as display type where every single dropped/repeated frame is horrible. Whith the combination of powerstrip and reclock, I have in 90-95% not a single dropped/duplicated frame throughout a whole DVD Ralph | |
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| | #3 (permalink) | |
| Portal Developer Join Date: Apr 2005 Location: Osnabruck
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| Portal Member Join Date: Aug 2006 Location: Boston, MA Age: 36
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| This may be a stupid question, since HD isn't exactly the same... But here goes... I'm pushing 720p out my DVI port on my video card... Refresh rates isn't an option then - correct? |
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| Portal Member Join Date: Sep 2005
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| I have read lots of info on this around the net. Getting a complete understanding is difficult. Cinema movies are shot at 24 frames/second. This is enough to capture the motion itself, but cinema projectors use shutters to project those frames 48 or 72 times a second. This reduce flickering, and relie on a mechanism called "image retention" in our vision. Now, tv-systems are 50Hz in countries that use 50Hz power supply, and 60Hz in those countries that use 60Hz power supply. The reason is both that CRT tv elechtronics could use the power supply as a stable clock, but also that movies taken with 50Hz light bulbs using a 60 Hz camera will flicker! So, how do you present 24fps movies on a telly? For PAL (50Hz) countries, this is usually done by speeding up the film by 25:24 so that it is actually about 4% shorter. The same is of course done to audio to keep sync. Then each interlaced half-frame will contain odd or even lines of its corresponding source frame. In NTSC-land (60Hz), a special "cadence" called 3:2 is used where a source frame will either result in 3 or 2 interlaced half-frames. This introduce a slight stutter or uneven progression. It is possible to reverse this process so that 24p->60i-24p conversion can be done with no loss (in theory). In practice, many SD broadcasters will filter interlaced transmissions to avoid "jumping" meaning that some information is lost. Most flatscreens (almost all HD-ready screens are plasma or lcd here in europe) can only do 60Hz. Some, notably Pioneer plasmas will accept 24p input and do a 3:3 pulldown, just like the movie theaters. AFAIK, VGA cannot do 50Hz. As many flatscreens tell you to use VGA for PC, this renders them less usefull for playback of PAL material from PC. For me, this has major implications as I want to replace my surround receiver with pure software audio decoding so that I can use Reclock with full fidelity. Upcoming HD-DVD and Bluray formats store the HD video content as 24p and then the playe hardware will render this as (typically) 1080@60i at its outputs. I am curious as to how this will be implemented on PCs. regards KNUT |
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| | #7 (permalink) |
| Portal Member | I have my 1920x1080 progressive LCD set to 50Hz (can also do 60), exactly because of PAL TV
__________________ NLS ...never thought I would advertise MP around that much, so soon... (and when some dev adds better menu handling, multiple calls to modules and plugins with different options and much better dbase handling, it will be love... ah and a nice 3D front end and inter-module messaging system and...)
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| Portal Member Join Date: Sep 2005
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| My 40" LCD will do 1366x768 at 1:1 pixel only at 66Hz - at least that is what I have accomplished tweaking powerstrip. It will do 720p@50Hz and that looks a lot better for PAL material even though it is passed through a 2nd pass of scaling. The frustrating thing is that most manufacturers and customers dont care. They dont know what 1:1 pixel is, dont know the importance of correct framerate etc. As long as the "HD-ready" logo is there, they will gladly accept poor black levels, jumping camera pans and bad internal scaling/deinterlacing :-( regards Knut |
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| | #9 (permalink) |
| Portal Member | indeed man it's tough... 66Hz is bad for PAL/NTSC/HD/you name it anyway this is how I got my nice AMOI 37" 1920x1080P LCD... I first talked to China and made sure they made a new firmware that actually locks 1:1 on 1920x1080 through the HDMI (at 30/50/60Hz)... they did and then I got it. (sound Utopia, well this is what happened)
__________________ NLS ...never thought I would advertise MP around that much, so soon... (and when some dev adds better menu handling, multiple calls to modules and plugins with different options and much better dbase handling, it will be love... ah and a nice 3D front end and inter-module messaging system and...)
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| | #10 (permalink) |
| Portal Member Join Date: Jul 2005 Age: 30
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Country: | I thought the PAL/NTSC/movies/1080i framerate issue wasn't such a big problem when using the WMR9 render? I do get terrible tearing in MP though on my 60hz LCD TV, but this is a problem with all framerates so I believe it's an unrelated issue. Because DX Exclusive mode completely removes the tearing if vsync is on. I wish MP would be able to use vsync without using DX Exclusive mode. |
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